LakouвЂ™s organic style needed more room to stretch and breathe, and the album became far more collaborative and deeper in scope. Ray had initially wanted to sample the band, and overlay them on traditional 4x4 electronic beats, but he realized this approach would not evoke the spirit he was so captivated by. Their subsequent six year journey led to Leave the Bones, teaching Ray more about himself and music than any other period in his life.

The bandвЂ™s organic power entranced Ray, who started to see the possibility of merging his cinematic electronic based-production style with LakouвЂ™s own traditional dance rhythms.

Ray stumbled on Lakou at a tiny beach side club in Jakmel the scene that night was frenetic and ecstatic, evocative of the spirit of RayвЂ™s early electronic music clubbing experiences. Joseph Ray, a GRAMMY winner and founding member of the pioneering platinum-selling electronic music trio, NERO, had never heard of Lakou when he arrived in Haiti in 2015, having volunteered to teach a course at HaitiвЂ™s only music production and audio engineering school, the Artist's Institute. This spirit of HaitiвЂ™s rich musical history underpins Lakou Mizik today a multi-generational genre-blending ensemble that plays traditional Haitian music with a punk energy and a deep sense of their heritage. LakouвЂ™s figurehead, Sanba Zao, one of only ten original Sanba poets left, played a central role in HaitiвЂ™s Rasin (roots) movement of the 1980s, which sought to re-imagine traditional Haitian Vodou music through radical experimentation with modern instruments. The nine piece band, formed in 2010, is emblematic of the melting pot that is HaitiвЂ™s musical culture. Since its inception Lakou Mizik has sought to re-define peopleвЂ™s conceptions of Haiti through its music. Leave the Bones paints a musical portrait, a fresh glimpse of an oft misrepresented country, that through Vodou chants, chest-pounding Rara dance tunes and contemporary protest songs, conveys the listener to HaitiвЂ™s spiritual heart, a place that remains a compelling mystery for foreigners and a source of pride for every Haitian. Culture is what defines the country - its drums and Vaksins (traditional horns) are symbols of freedom and pride, liberty and struggle, and represent the escapist joy of dancing. But its history is rich, its people proud and defiant, and nowhere is that more evident than in its music. вЂњHaiti'' is a word that conjures up a lot of images, it is a country judged by many, most of whom have never set foot on its shores. Offering two parts to the release, вЂStreet Dreams (Deluxe)вЂ™ includes a digital three-track release of brand new material alongside a 12вЂќ vinyl including the latest works alongside tracks from their 2020 debut.ДЇollow musclecars :: linktr.ee/musclecarsДЇollow toucan sounds :: often try to evoke a time and place, few manage to do that with such startling effect as the unlikely collaboration, Leave the Bones, between the multi-generational Haitian band Lakou Mizik, and Grammy-winning electronic music artist Joseph Ray. K15 brings wildlife ambiance and gorgeous, soft chords for his take on вЂSolвЂ™, burying the vocals under a bed of dreamy house.Дazzle Drums takes вЂSun Track IвЂ™ into downtempo territory, reworking Tiff OrtizвЂ™s vocal performance into a delicate and organic affair. Leading the release, вЂShe Raised Us In Sunset ParkвЂ™ sees the duo offer a fresh take on вЂThe Man Who Kept Bedstuy WarmвЂ™, bringing a flurry of dense live percussion alongside soaring guitar licks, vibrant horns, and smooth keys. Toucan sounds with вЂStreet Dreams (Deluxe)вЂ™, bringing together remixes from LondonвЂ™s K15 and TokyoвЂ™s Dazzle Drums alongside original cuts. Expanding on their debut EP вЂStreet DreamsвЂ™, the duo returns to

Musclecars, composed of Craig Handfield & Brandon Weems, are staples in NYCвЂ™s House scene and beyond through their party-turned-label Coloring Lessons, effervescent sets on The Lot Radio, and increasingly acclaimed productions.

Sol song for haiti bandcamp